JUDY KRAVIS

www.roadbooks.ie

Tuesday, 4 July 2017

I started re-reading Eva Trout by Elizabeth Bowen among two days of gales. What is she doing, Eva Trout, why is she always escaping, to another household, another hotel, another country, and who are her allies, if any? Lashings of plot are bathed in onward uncertainty.  Elizabeth Bowen, and Eva, do not give much away. The sentences are tight and loose, nervous and lax. You can avoid saying by saying a lot as well by saying a little. You can fall into the abyss almost anywhere.

Twinges of recognition impel me on. I'm glad someone else has written this. I continue reading on flights to and from London, on trains to and from Gatwick. Eva Trout comes into her own when I'm on the move, all antennae out.

Life is an anti-novel, I read on page 211 of my Avon edition, 1978. The front cover has a woman in an unrealistically long blue satin dress, draped about on a sofa, also draped. The blue satin is at your own risk. 'Everything must be plausible, by tomorrow', on page 261. But it isn't.
Anyhow, what a slippery fish is identity; and what is it, besides a slippery fish?... What is a person? Is it true, there is not more than one of each? If so, is it this singular forcefulness, or forcefulness arising from being singular, which occasionally causes a person to bite on history? All the more, in that case, what is a person?

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