Monday 14 August 2017

Elizabeth Hardwick, Sleepless Nights

Day One
On a pale grey warm day at the reservoir, close to the end of Eliz. Hardwick's Sleepless Nights, her reading of her past the template now, extensive on the light ripple of the water, for mine.

Undifferentiated remembering is easier looking over water. Certain muscles relax, others tense.

Eliz. Hardwick is unified by New York, with a little Boston and Maine and an undertow of the South. I am not, in like manner, unified by Maldon Brighton Paris or Cork. Or if I am, I cannot see it. I am unified by wherever I am now.

Day Two
I'd like to be back in Eliz. Hardwick, watching the light change on the pond, the whirligig beetles idle in the hush. Instead I'm in last night's dream in which my sister, who died last week, came over here on a stretcher, from which she got up now and then, leapt, in fact. So she was alive. Outside I saw a van with its back doors open and got in and stayed in till the van reached the next town and everything had fallen away, including all names.

Undifferentiated sorrow is the most noble I can imagine. And a slow, flat spin, like the whirligig beetles.

A woman writer doesn't need a plot, sensibility is structure.

Day Three
So Elizabeth Hardwick—now The New York Stories—is guardian of sorrows and inadequacies this August. She too, in her youth, struggled with judgement and keeping her distance. In an early story, 'Yes and No', she is discomfited to find her family normal, she who had gone off wanting to be a New York Jew. I who do not find my family normal, went off (to Paris, to Cork) already a jew with the smallest j, an english french irish jew of no conviction other than the words to say it.

I read Sleepless Nights during the day, and now The New York Stories by night, one or two at a time. They are arranged chronologically. I move through her youth with the same impatience as I move through my own when I re-read my diary.

Day Four
In a story called 'The Classless Society', a woman called Dodo is wistful.
She was incorrigibly reminiscent. The disposition came upon her with the regularity of a stutter.
Me too. And usually welcome. Whereas now I no more want to reminisce than a woodlouse does. I want to get under a log and keep very warm, dry and stumm.

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