JUDY KRAVIS

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Sunday 20 January 2019

Dag Solstad, Shyness and Dignity

I've nearly finished Shyness and Dignity, another small hours immersive reading. Dag Solstad's nordic male run-on style of narrative hyphenates insomnia with ease—at the end of the hyphen you launch into sleep.

Whether it's Ibsen's character or Solstad's or the dear reader's there's a profound dismissal of all almost everything going on, including the eponymous shyness and dignity. All those repeated full names, Elias Rukla and Johan Corneliussen and Eva Linde, and addresses, the apartment at Jacob Aall's Gate, the Fagerborg Secondary School, dismiss themselves as soundly as the end of class bell at the said school. Students remove earbuds before class and then slouch.

However in last night's reading, one sentence rang out, well, several sentences.
People belonging to Elias Rukla's social stratum no longer talked together. Or only briefly and superficially. They practically shrugged at one another. Maybe to one another as well, in a sort of ironic mutual understanding. Because the public space required for a conversation is occupied.
The public space required. Yes. I wrote a story about an architect who designed an agora. He lived alone on an island connected to the mainland by a causeway accessible at low tide. A loner designing a public space. Requiring a public space. Needing a public space. Social interaction and building for the future. The architect did not know if he was waiting for the tide to go down or for the tide to come up.

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