JUDY KRAVIS

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Thursday, 28 March 2019

Kathy Acker suits and doesn't suit overwrought lives. I read a page or two of Great Expectations for the bam bam bam, the bumpy jolty, the loud rending sound — it's less like reading and more like overhearing conversations on the train — there's a kind of consistency, messy, and you can be fascinated and then abruptly not want to read, not to hear any more, just fix a stare at the middle of Ireland, the middle of anywhere, Portugal, for example, or Italy.

At other times of the day and night I have been reading Italo Zvevo Confessions of Zeno (which has been reissued, I noticed in Dublin the other day) which isn't very confessional beside Kathy Acker, who isn't very confessional beside Proust, who isn't any more than Freud or Dear Frankie. Kathy Acker and Italo Zvevo tango past the equinox. Sometimes this is as much I can read, when I'm reading the hill I live on day and night too.

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