JUDY KRAVIS

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Sunday, 4 August 2019

Natalia Ginzburg and Grace Paley

Happiness as such is next in the Natalia Ginzburg season. I used to tell students that certain books were best read in one or two long goes. At first I read bits of this book at bad moments, and couldn't find my own or the story's feet. Then, for most of a wet day I read the rest of it, swerving between the letters (this is mostly an epistolary novel) as they swerve among the vicissitudes, the ordinary mess of their lives, then let you out at the end into a somewhat cleared sky.

This is how the book ends.
A number of times I have thought that maybe while he was dying he had a flash of understanding and he travelled all the paths of his memory and I am consoled by this thought because nothing brings consolation when there is nothing left, and even seeing that dusty undershirt in that kitchen, and then leaving it behind, was a strange, icy, lonely consolation.
Natalia Ginzburg and Grace Paley are kin. Tempestuous grounded motherhoods. Blunt, canny speech. Unjudging, wry, and rude around disasters, arguments and dirty socks. Varying spareness, sometimes exasperation but never venom.
His wife is having a baby next spring. Good God, why do all these babies keep coming when everyone is so fed up with them and no one wants them around. There are just too many babies.
     I'll stop here. I need to give this letter to Mathilde who's going out shopping now and I'll stay here to watch the snow and read Pascal's Pensées.
Natalia Ginzburg said she wrote in short sentences because she was the youngest and if she wasn't quick with what she wanted to say someone else would take over.
I think we will send you money periodically. Not that money will solve anything, since you're alone, broke, unsettled, and unreliable. But we're all unreliable and broken somewhere inside and sometimes it seems desperately attractive to be unrooted and breathing nothing but your own solitude. That's how people find each other, and understand.
If we read to be somewhere else, among other people, the converse is also true. We read to find each other, and understand. As one of her characters says, 'It's nice to talk to strangers when you're depressed. At least you can make things up.'

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