JUDY KRAVIS

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Wednesday, 30 October 2019

A Flower Book for the pocket by Macgregor Skene (1935 & 1951) is a multiple read: the soft painted illustrations by Charlotte Georgiana Trower and Ruth Weston were the home face of a day outdoors when I was twelve: reclusive, shortsighted, noticing everything that grew, picking some to take home, wanting to know the name and the latin. The paragraph on the opposite page, written by Macgregor Skene, gave me a language for where I'd been and who I was. The habitats of plants were my habitats. A not uncommon weed of cultivated ground through most of Britain. Local on sandy and shingle shores, from mid-Scotland southwards; I.

I think that I is Ireland. How coy is that.

Wild Flowers of Britain by Roger Phillips (1977) includes Ireland as common sense, one of these islands. Species most common in Cork and Kerry he says as if he's been there which he probably has. Roger Phillips uses photographs, softly printed. The illustrations of Charlotte Georgiana Trower and Ruth Weston, softly printed also, are clearer, because, where the camera sees with the camera in mind, the illustrator sees in order to make visible: she has been looking.

Illustrations of the Natural Orders of the Vegetable Kingdom by Professor Oliver. F.R.S. F.L.S, is of another order altogether. Illustrations by Mr W. H. Fitch, F.L.S. who has been looking for a long time at the inner lives of plants. Diagram of a flower, cross-section, with ovaries and filaments finely drawn, with coloured wash, leaf awake on the left, and leaf asleep on the right in the Oxalidaceae family.

Mr W. H. Fitch also did the line drawings for Illustrations of The British Flora, which I bought in 1960. The preface ends thus:
Although the illustrations are necessarily small and not intended to be coloured, many persons have found it of interest to do so, perhaps as a record of their observation and identification of the plants themselves.  So far as it has been possible in the present abnormal circumstances, a paper suitable for colouring has been used in this edition of the work.  July, 1919
I coloured in the field poppy and the grass vetchling, both red, and that was as far as my courage went.

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