JUDY KRAVIS

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Wednesday, 18 December 2019

I read the second volume of Tove Ditlevsen's Trilogy the length of what's known locally as a desperate day, strong winds from the south and very wet, pints of water under the front door. I would have preferred to take Youth slower, but, even with pausing between chapters for a look into the stove or out of the window, there wasn't a chance, not with that weather, especially knowing I had the third volume, Dependency, which is slightly longer, in reserve. The spare, onward movement of Youth took me through a dark afternoon into the real dark. Tove Ditlevsen is a dark afternoon. The real dark you have to supply yourself. That is the great thing about spare tales. You can work it how you will. This is a plain account of the years from fourteen to twenty, the shuffle into independence. Plain, but pained. With obscure costs buried under the white of the page. If you say this little, if you fail to show emotion when expected, if you're on the edge of any spot you're in, if you read and write beyond what's considered seemly, you can recount all you like of rooms and jobs and boys who squeezed you at the end of the evening, you're freighted, and that's how it is.

The Danish title of Dependency is Gift which means both marriage and poison.

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