Olga Tokarczuk, Drive Your Plow over the Bones of the Dead,

Drive Your Plow over the Bones of the Dead is a story of a crone alone in the countryside, barrelling the world along in her own way, with her own crone certainties. Olga Tokarczuk's Creature, Mrs Duszejko,  follows the movements of planets, observes her patch as a countrywoman should. Her neighbours are Bigfoot and Oddball, her friends are Goodnews and Dizzy. She teaches, sometimes, English. She mourns the loss of her Little Girls, her two dogs, whom the hunters have killed. She weeps often. And she says what she pleases to whom she pleases. She likes her capital letters, her freedom and her William Blake (from whose writing the title of the book comes).  

Mrs Duszejko lives in northwest Poland, near the border with the Czech Republic, in a village where the local saint is commemorated by hunters. The priest, Father Rustle, is a hunter too. The Animals will make their voices heard, she says. Mrs Duszejko is listening out for the Animals. And weeping for her two dogs. She makes her voice heard against the hunters, against ownership and insensitivity. She speaks out to the priest.

'Why do you weep?' he asked in that strange impersonal priest's slang, in which they say 'trepidation' instead of 'fear', 'attend' instead of 'take notice', 'enrich' instead of 'learn' and so on. But not even that could stop me. I went on crying. /My Dogs have gone missing', I said at last. /It was a winter afternoon. Gloom was already pouring into the dayroom through the small windows, and I couldn't see the expression on his face./' I understand your pain', he said after a pause. 'But they were just animals.'/ 'They were my loved ones. My family. My daughters.'/ Please do not blaspheme', he bristled. ' You cannot speak of dogs as daughters. Don't weep any more. It's better to pray — that brings relief in suffering.'

Later she derides the priest's sermon, in which he blesses the hunters and all their works, as nonsense and not fit for the ears of children. 'Hey you, she says, get down from there'. She is ejected from the chapel. The pleasure and fury of Olga Tokarczuk, as agent of the intimate fiction of Mrs Duszejko, is palpable. She is having her say. She makes me think of various women I know, including myself, especially at this time of day, nearly dark, a bird outside hitting the pitch for the end of the day, with Chopin Nocturnes on the Stereo. I will read some William Blake. Have a look at Moby Dick. The right-hand pages only.